[pnpgm] Game Update #67 - File #264 - Eyes that bore
pnpgm
pnpgm at comcast.net
Tue Jan 7 05:47:23 CET 2014
HT Aliaver/Player DS Character Name Type Status/Notes Sex
-- -----------------------------------------------------------------
R1.John Haight.......HY..Arawn.............Druid .Normal/Alfar .. Ma
--.Tobie Bonahoom....YY..Fremea............Sidh....Normal/Faerry.. Fe
R3.Mark Murtha.......HN..Kell..............Trader..Normal/Human....Ma
R1.David Sanders.....HN..Kiet.Sunan........Acrobat Normal/Human ..Ma
R4.J H Hooten........YN..Raban.Usherwood...Bard....Normal/Human....Ma
W4.Wout Broere.......YY..Unali.............Ninja...Normal/Human ..Fe
R1 John.Stowman......YN..Will..............Hunter..Normal/Human....Ma
R4.Alex Koponen......YY..Z'leyra...........Healer..Normal/Human ..Fe
-- Npc...............YY..Etain.............Teacher.Normal/Elf......Ma
Animals: Corona [Eagle] Z'leyra, Squirt (Ferret) Kell, Wolf - Will
Game Web Site - http:/nrgcomputers.com/pbem/
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Game Update #67 in sequence (file #264)
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Admin Notes: None.
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[Recap]
From Arawn: [Re: Actions]
As the window creaked open Arawn quickly thought over ...
GM: Ack.
From Fremea: [Re: Actions]
After Fremea opens the shutters, she touches the girl to let
her see her and then helps her to get something wrapped
around her better. Fremea then casts a quick levitate on
the girl and helps her to the ground, noticing that Arawn
is there and should be able to help her.
After that she continues with her process of going down the
hall to check on other rooms. She will listen to doors and
make sure she does not hear other girls being totured, but
also listening for the thief. If she needs to recast her
invis, she will do that.
GM: Ack.
From Arawn: [Re: Actions]
Upon seeing the partially clad girl levitating down ...
GM: Ack.
--------------------------------------------------------------
[New Stuff]
[Sepes 29th, 1634TH]
[Location: City of Samma, Donara]
[Time: 1:10:01 am - Samma city, Donara]
Across town the four walk in the cool night. The temperature
is descending a bit maybe in the 60s or so by now. But it
seems to be getting colder. As Z'leyra and Jordi try to
catch up the Shaman notices Jordi distracted. He looks
back a few times.
Back at the gambling hall Fremea opens the shutters and
turns to the girl. She touches her gently and reveals herself
in her full glory. the girl jumps back a half foot but
Fremea holds her hand to calm her down. To the girl she
is still a girl herself through the magical headband.
"Who?" The girl asks, concerned.
Fremea shakes her head and smiles something that even
assassins do before they strike. But in this case she
does it to show her kindness. She considers explaining
but there is no time. She waves the girl to the window
and the breeze forces the girl to shiver in her nakedness.
Fremea yanks the sheets off and helps to wrap that with
the stained sheet the girl is wrapped in around her shoulders.
Fremea explains help is outside but the girl is hesitant.
"They'll beat me." The girl quickly stammers.
Fremea forces the girl forward toward the window and
motions for her to exit.
As the window creaked open Arawn quickly thought over the
merit of maintaining his meager hiding place pressed against
the wall. As an alarm had yet to be raised it was quite
possible that Fremea was behind the open shutters and he
considered stepping back out into full view in case she was
looking for the Alfar and Elf. However, if it was a patron or
guard of the hall exposing himself to view so close to the
backdoor could lead to complications.
Arawn was near committed to cloaking both Etain and himself
in elvish glamour but decided to hold for the moment in case
Fremea was on the lookout for Etain and himself. Even hidden he
realized she was skilled enough to locate both of them if she
needed them. And if it proved a resident then he would trust to
his silver-tongue to smooth out the situation before resorting
to power of elvish magic.
Fremea quickly helps the startled girl to step out of the
window with one leg. The girl becomes scared and realizes
maybe Fremea is going to push her. But then Fremea casts
a spell and the girl begins to move on her own. Fremea rushes
the girl out and she tries to swim in the air but Fremea
holds onto her as she flaps her wings under the illusion of
her headband.
In seconds the girl is forced down onto the ground. Arawn
comes running to help and holds the girl realizing that if he
releases her she could move upwards. But then the girl makes
contact on the ground which ends the spell.
Upon seeing the partially clad girl levitating down Arawn
steps out from the shadow, having come to the conclusion
that Fremea is responsible. Arawn will approach the girl
cautiously so as to ease any fears she may have, his demeanor
making it clear that he wishes to help. Taking off his cloak
he'll offer it to the girl and point to the shadows.
"Keep out of sight for now," he quietly informed the girl.
Realizing that she was likely still frightened and overwhelmed
he gave her a gentle eye and a comforting smile. "I'm Arawn
and I promise, once we're done here, we'll see you safely
home."
Fremea returns to the room to continue her search of the second
floor.
Looking up he checked the window for any sign that others
might issue forth. When it seemed that no others were to
follow he whispered to the girl.
"What's your name?," he asked before adding, after her
response, "Are there any others being held in there?"
"Iza. I..don't think there are others."
Arawn guides the girl to the side of the building to be
safe away from the back door. The girl looks to the cape
and warms up but looks hesitant to do anything unsure of
what is going on. Etain glances at the girl but seems to
ignore her as if it is indecent to do so.
Across town in the tavern Kell suddenly perks up. "So! That
was the punchline! It was the dwarf and the priest!" He laughs
making Will look sideways at the gambler. "Ahh? Shouldn't they
be back by now? Maybe we could use your friend there to track
them down? Could he do that?"
Across town Jordi lowers his voice. "I am sorry that I
got you into this. I left the tavern to get some air. But
I wasn't sure if followed till now. I think its the Climans.
Some guy named Bogan heard of our talks to kick them from the
Fort and they arrived. We move from place to place but guess
they found us. They can't be more than a half dozen. He
alone could handle those. But if you think you should get
ahead I can try to handle this on my own?"
Raban stops and turns around haling the group. "Climans?
I can deal with them. Lead the women out of the area."
Fremea returns to the hall and checks the doors. One room has
a man snorting some drugs. Two rooms seem to have 2 women
in their 20s and 30s entertaining men. In one room the 30
year old odd girl is being handled by 3 men. Fremea shakes
her head wondering why humans do those things. Fremea figures
they are just hookers and moves on. But no other young
women seem to be on the floor. The others room seem to be
empty.
Downstairs Kiet is confused by the card game but seems to
fluff it off. Talking about the inventory that Bogan might
have. Bogan explains that he deals many things. The first
hand Kiet loses 5 copper but he doesn't even understand
the rules. But it is good to give hope to the House.
Bogan turns to Kiet while holding a set of four cards. "Well
you need to decide soon. I'm busy." He glances at the
cards then at the Fomorian bodyguard and nods. Then looks
back at Kiet. "I fold." He places the cards on the table
and places a hand to his side and leans back in his chair.
"Tell me. How come my men here see one person. Yet I
see another person? I'm not a weak minded fool like some
of these. I can see through your ...illusion?"
Kiet perks up and then realizes the back of his neck hairs
are rising. He glances slightly to the right and see in the
corner of his eye that four of the patrons that were behind
him in the table are standing behind him some feet away. Kiet
glances left and sees the barkeep holding a club now also
closer.
"I don't like tricks. You have one chance to tell me
what you are really doing here or we decorate the back alley
with some fresh body fluids." Bogan stares at Kiet.
Kiet realizes that the fence must have a strong will to
see through his illusion. It makes sense the others with
their drug induced minds would see what the illusions shows.
But when did the bodyguard speak to Bogan? Maybe when
Kiet was moving closer. He did lean over at one point.
Those blasted Fomorians should all die.
Afterwards Arawn was about ready to press his ear to the door
when a thought came to him. "Have you ever heard of a man
named Ozon?"
"Sure he is nice. Unlike the others."
Upstairs Fremea gets to the stairs leading to the first
floor. She realizes her invisibility spell is over and
starts to recast it.
Kiet considers his surroundings. Now he has 3 patrons about
5-6 feet directly behind him. Sitting at the table are two
bodyguards and Bogan. The barkeep is about 15 feet to his
left. To his right about 50 odd feet are 3 more patrons with
those 2 gals. To the north about 50 or so feet are 4 more
patrons at tables. Then the gatekeeper at the door. So
a minor bit outnumbered. Of course most patrons don't seem
to be armed like the guards.
[Time: 1:14:15 am - Samma city, Donara]
Actions? Comments?
Next Update....Friday...
GM: A short update. I started late and got tired. Wanted to
do a bit more but too tired. Now both groups have stuff
to consider. :) Kell is now a npc so now he is more
or less "waking" up. :) Maps should be updated correctly.
Will update mana report for next update.
GM: Spells - See current time and below time.
Fremea Invisibility ends 1:17:12am
GM: Groups -
To track down Thief - Fremea, Kiet, Arawn, Etain, Corona
To find building - Raban, Z'leyra, Unali
To stay at tavern - Will, Kell
[Gaming Hall]
Scale = 1 Row = 20 feet /I\
1 Column = 2 feet North
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------------------------------------------------------------------
A [First floor] Street
B
C I-------------------------------------------------\/----I
D I I~~ @@I I I I
E A I___/I * * * * * @@I ? I ? I : A
F l I I___/___I__/__I =======I l
G l :### # * * * * * $ $ : l
H e I # K $ $ I e
I y I # * * * * * I y
J I---`---`---`---`---`---`---`---`---`--/\---`---`---`---I
Street K-Kiet above
` = Window all shuttered closed
/=, / = Door
I = Wall
: = Window (Shuttered)
~~= Stairs to second floor
##= Bar area
@@= Stage area
* = Table and chairs
$ = Desk/table
[Second Floor] Street
I-----------`---`---`---`---`---`---`---`---`---`----`--I
I I~~ I I
A I / F I____/________/________/_________/_______/___: A
l I I I l
l : I -----/--------/--------/---------/-------/---: l
e I / I I I e
y I I I I I y
I---`---`---`---`---`---`---`---`---`---`---`---`---`---I
F = Fremea X---X
X = Window with light inside on.
Scale = 1 Hex = 10 feet /I\
1 Row = 5 feet North
1 Column = 5 feet
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/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/A /\= Door
\__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \B / = Door
/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/C Front Door c37
\__/ \__/ \__/ \__/ \__/ \__/ \__/ \_A/ \__/ \D Back Door E45
/ \__/ ___________________________________/E__/ \__/E I = Wall
\__/ \__I \I~~ *\_^^ @@I/ \_I/ \I_/ \__/ I__/ \F = = Half waist
/ \__/ I__/I~~_P/ \__@@I\__/ I\__/I \__/ \__I \__/G high wall
\__/ \__I??\I_/ \__/ @@I/??\_I/??\I_/ \__/ I__/ \H ?? =Unknown room
/ \__/ I__/I*\_*/ P*P_@@I\__/ I\__/I \__/ \__I \__/I @@= Stage
\__/ \__I??\IP/ \__/ \_I/??\_I/??\I_/ \__/ I__/ \J ~~= Stairs
/ \__/ I__/I \__/ \__/ I\__/ I\__/I \__/ \__I \__/K ##=Bar area
\__/ \__I \I*/ *\__* \*I/ \_I/ \I_/ \__/ I__/ \L * Table with
/ \__/ I__\I \__/ \__/ I\__/ I\__/I \__/ \__I \__/M 1-4 chairs
\__/ \__I \__/ \__/ \_I/ \_I/ \I_/ \__ I__/ \N around
/ \__/ I__/ \_*/ *__/*I\__/ I\__/I \__/ \__I \__/O ^^ = Fireplace
\__/ \__I###__# \__/ \_I__/__I__/_I_/ \__/ I__/ \P
/ \__/ I__/ #__/ \__/ \__/ \__/ \__/ \__I \__/Q
\__/ \__I \__# *\__* \*_/ *__/ P*P_/ \__/ I__/ \R
/ \__/ I__/ #__/ \__/ \__/ \__/ \__/ \__I \__/S
\__/ \__I \__# \__G \__/ \__/ \__/ =======I__/ \T
/ \__/ I__/ #_*/ C*B_/* \__* \__* \_$/ $__I \__/U
\__/ \__I \__# T\__K \__/ \__/ \__/P$\_P$F I__/ \V
/ \__/ I__/ #__/ \__/ \__/ \__/ \P$F $__I \__/W
\__/ \__I \__# *\PP*P \*_/ *__/ *__/ $\__$ I__/ \X
/ \__/ I__/ #__/ \__/ \__/ \__/ \__/ \__I \__/Y
\__/ \__I \__# \__/ \__/ \__/ G\__/ \__/ I__/ \Z
/ \__/ I__/ #_*/ *__/* \__* \__/ \__/ \__I \__/a
\__/ \__I \__# \__/ \__/ \__/ \G_/ \__/ I__/ \b
/ \__/ I_____#____________________/\__________I \__/c
\__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \d
/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/e
\__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \f
/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/g
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[Facing - Standing]
F = Fremea Second floor
C = Corona Roof
K = Kiet [a35] Facing NW
A = Arawn [D45] Facing Back door
E = Etain [E46] Facing Back door
B = Bogan [U23] Sitting Facing Kiet
G = Gatekeeper [V18] Facing Kiet
F = Gal Dealers [W43] Facing West
F = Gal Dealers [V47] Facing West
G = Goon? [T22] Sitting Facing Kiet
G = Goon? [V22] Sitting Facing Kiet
T = Bartender [U14] Facing Kiet
P = Patron [V45] Facing Dealer
[V41] Facing Dealer [W41] Facing Dealer
[J15] Sitting North [Z22] Sitting South
[X20] Sitting North [X23] Sitting North
[R36] Sitting East [R38] Sitting West
[G18] Sitting South
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/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/A /\= Door
\__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \B / = Door
/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/C Front Door c37
\__/ \__/ \__/ \__/ \__/ \__/ \__/ \_A/ \__/ \D Back Door E45
/ \__/ ___________________________________/E__/ \__/E I = Wall
\__/ \__I I~~ * ^^ @@I I I I__/ \F = = Half waist
/ \__/ I I~~ P @@I I I I \__/G high wall
\__/ \__I?? I @@I ?? I ?? I I__/ \H ?? =Unknown room
/ \__/ I I* * P*P_@@I I I I \__/I @@= Stage
\__/ \__I IP I ?? I ?? I I__/ \J ~~= Stairs
/ \__/ I I I I I I \__/K ##=Bar area
\__/ \__I I* * * *I I I I__/ \L * Table with
/ \__/ I__/I I I I I \__/M 1-4 chairs
\__/ \__I I I I I__/ \N around
/ \__/ I * * *I I I I \__/O ^^ = Fireplace
\__/ \__I### # I__/__I__/_I I__/ \P
/ \__/ I # I \__/Q
\__/ \__I # * * * * P*P I__/ \R
/ \__/ I # I \__/S
\__/ \__I # G =======I__/ \T
/ \__/ I # * C*B * * * $ $ I \__/U
\__/ \__I # T K P$ P$F I__/ \V
/ \__/ I # P$F $ I \__/W
\__/ \__I # * PP*P * * * $ $ I__/ \X
/ \__/ I # I \__/Y
\__/ \__I # I__/ \Z
/ \__/ I # * * * * I \__/a
\__/ \__I # G I__/ \b
/ \__/ I_____#____________________/\__________I \__/c
\__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \d
/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/e
\__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \f
/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/ \__/g
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